The Combo-F Farfisa is more full-featured but I will still buy the Arturia version if that's part of their plan.īeethree, as I mentioned above, it's more than effects and presets, and the main engine has been tweaked further. I always loved Combo-V but regretted its missing features, which are now present in the Arturia version. I haven't had a chance to A/B Arturia vs. I have no complaints though I got a discount as a loyal Arturia customer and I also donated to Theo earlier as I felt he deserved some dough for what I consider one of the best-done originally-free VI's. I didn't see any discussion of this VI on this forum the other day so didn't bother posting to let people know that the Arturia version replaces the free Martinic version (same developer, but the Arturia version has been seriously pimped out with additional features, effects, presets galore, and additional organ models).Īl is completely accurate in his assessment. Just make sure you have your wraparound Ray-Bans handy.Al beat me to the punch. Needless to say, collectors love them and are willing to pay top prices for them, meaning that one in good nick will set you back many times its original price.įortunately, we can recreate the Vox sound quite easily, thanks to a number of excellent virtual emulations and soundware for popular samplers. However, thanks to their obsoleted germanium transistors, they can be a chore to maintain. Quite a few of them were made and, if you're lucky, you can still get one that works. Again, rumours of its demise were unfounded, and it would reappear 35 years on, thanks to bands like Arctic Monkeys and The Horrors. Yet when the smoke cleared and all of that rebellion had been co-opted by the mainstream music machine, the Vox was nowhere to be seen. It perfectly suited the rowdy recordings of bands like Elvis Costello's Attractions and the hyper-kinetic Ska stylings of Madness and The Specials. Perhaps because it had become unfashionable, the Continental and its offspring (Jaguar, Corinthian) became the go-to organs for Punk and New Wave musicians. Then, more than half a decade later, something strange happened: the Vox came back. The Vox Continental fell out of fashion as the 1960s came to a close - it just didn't fit in with the burgeoning heavy rock scene. It fuelled The Animals' House of the Rising Sun as well as Question Mark and the Mysterians' 96 Tears, before becoming the sound of The Doors' Light My Fire and, perhaps most (in)famously, Iron Butterfly's indulgent epic In-A-Gadda-Da-Vida. Rather than replacing the mighty Hammond, the Continental carved out its own niche, finding favour with plenty of legendary acts and gracing many a classic cut. That thinner, more focused sound could cut through a raucous rock 'n' roll clatter without taking over the mix. The Vox simply wasn't capable of the stage-shaking rumble produced by a B3's spinning metal tonewheels.Īnd yet this proved to be one of its strengths. Wheezy, weedy, nasal at times, it was produced by transistor-based circuits. Released in 1962 and designed as a more portable organ than Hammond's B3, Vox's Continental was everything the Hammond was not.Īlas, the sound of the Vox was equally anaemic compared to that of a Hammond.
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